The room behind the room

A doorway between a bright, orderly room and a dimmer one with things left out of place.

The car on the way home is not the lunch.

Two hours of being pleasant. Asking after people. Not saying the thing. Then the doors shut and within about ninety seconds the commentary starts, and it’s funnier and sharper and a lot less generous than anything that happened at the table.

Most people would say the car is where the truth comes out. That the lunch was the performance and this is what everyone really thinks.

I’m not sure that’s it.


Two rooms

Nearly every group has a second space, just outside the first one.

There’s the meeting, and then the conversation in the car park. The dinner, and then the kitchen once the guests have gone. The team while the coach is there, and the changing room after they leave. The polite group thread, and the message someone sends privately while everyone is still being nice in it.

Call the first one the front room and the second one the back room. Most of us move between them several times a day without noticing.


Not a lapse

The back room isn’t a lapse. It’s made by the front room.

The more a room makes you hold in, the more there is to let out afterwards. All the being agreeable and patient and fine about things you aren’t fine about doesn’t just evaporate when you stand up. It goes with you to the car.

You notice it most after the occasions that took the most out of everyone.

So the careful lunch and the brutal car ride aren’t opposites. They’re the same afternoon, twenty minutes apart. The car isn’t where the mask slips. It’s where everything people had to hold gets put down.


Some of it has to go somewhere

It’s tempting to write this as a problem, because the back room is where the unkind things get said.

But something does need an outlet. Being petty, rude, childish, unimpressive, not currently looking after anybody’s feelings. That isn’t a fault in a person, it’s part of being one. A life where none of it ever came out wouldn’t be a better life. It would just be one where all of it had nowhere to go, and it would find somewhere eventually.

So the back room is doing real work. It’s where people put down what they had to carry next door. Often the one who needs it most is the person who held the front room together, which is why the warmest lunch can produce the sharpest car ride.

And things get said there that aren’t harmless. Somebody gets taken apart. Something gets decided about a person that quietly sticks.

Both of those are true about the same twenty minutes.


Someone ends up carrying it

Say one person in the car finally says the cruel, accurate thing about an aunt that everyone has been thinking all afternoon. Everyone laughs. Then someone says, that’s a bit much. And now that person is the one who was unkind, everybody else is slightly relieved, and the subject changes.

Groups do this constantly. One person ends up carrying the anger that belongs to everybody, another the silliness, another the contempt nobody else will say out loud. They’re not only speaking for themselves. They’re saying the thing the room wanted said and didn’t want to be caught saying.

Which is why who started it is nearly always the wrong question, and also why it’s such a satisfying one to ask.


The one nobody arranges

A few weeks ago I had a dream that stayed with me.

I was at a party. Everyone was dressed properly and behaving well, and I wasn’t. Drinking too much, saying things, furious with the people trying to look after me, desperate to be found and pushing everyone away at the same time. Somewhere in the same night there was a small creature in the house that I kept running from and then trying to catch.

None of it is how I feel when I’m awake. That’s the point rather than the reassurance. It was somewhere, and it had to be somewhere.

A dream is a back room too, and it’s the only one nobody has to arrange. There’s no door and no invitation, and you don’t get any say in what turns up. Whatever has nowhere else to be arrives anyway, and you stand there in the middle of it.

Two things about that.

In a dream, everyone in the room is you. The one behaving badly, the one trying to get her under control, the one who has gone missing. So the handing-out I described a moment ago doesn’t actually need a group. It happens inside one person, most nights, with nobody available to blame.

And the creature is worth noticing, because it isn’t a person. It can’t be reasoned with, has no manners, and couldn’t be brought next door and introduced to anyone. Some of what ends up in back rooms is like that. Not bad behaviour exactly. Something with no social form at all, that has nowhere to go because there’s nowhere for it to go.

I nearly left all of that out. This is going on a therapy website, which is about as front room as a room gets. Composed, professional, somewhere people decide whether they’d trust me with something difficult. A paragraph about being drunk and furious at a party doesn’t sit easily in it.

I wanted to keep it next door. I’m still not sure I shouldn’t.


And now we’ve built one

So a space with no consequences isn’t new. We’ve all had one every night of our lives.

Neither is having something safe to be unpleasant to. People have sworn at printers and kicked doors for as long as there have been printers and doors, and the appeal isn’t mysterious. The thing can’t be hurt and it can’t retaliate. That’s most of why we do it.

What’s new is that this one answers. You can walk into it on purpose, and what you put there isn’t a kick. It’s words, and something shaped quite a lot like a relationship.

Talking to an AI is a back room with nobody else in the car. You can be short with it. Demand things, repeat yourself, dismiss what it says, be unpleasant, stop halfway through, and come back the next day as though none of it happened. Nothing has to be faced. Nobody has to be apologised to. It doesn’t get tired of you.

Whether that matters because the thing might one day feel something is a real question and I’m going to leave it open, because it isn’t the one I find most interesting.

What I want to know is what we’re putting there, and what job it’s doing.

For one person it might be nothing much, somewhere to be irritable at no cost. For someone who spends all day accommodating everybody, it might be the only place they get to be direct without having to deal with what happens next. For someone else it might be a small private room in which to practise contempt. For another it might be protective, somewhere for the sharpness to land that isn’t a person they love.

It doesn’t only run in that direction either. Plenty of people are unfailingly polite to it. Please, thank you, sorry to bother you. The same care they take with everybody, turning up in a place that asks for none of it. And some people are warmer and more open with it than they manage to be with anyone, which might be easier precisely because none of it is real and nothing can come of it.

Most of this looks the same from outside. Being short with it looks like being short with it, whether that’s frustration or something meaner. Being gentle with it looks like being gentle, whether that’s who someone is or the only place they can be it.

I don’t think we always know which one we’re doing either.


What happens afterwards

Most of what holds people together isn’t good behaviour. It’s what happens after the bad behaviour. The coming back, the slightly awkward next morning, finding out the other person is still there.

That’s the part that actually builds something, and it’s the part this one removes completely. You never have to go back to anything.

Whether a lot of practice at not having to go back does something to a person, I don’t know. It might do nothing. It might be as ordinary as a diary, or a long drive on your own.

I notice I’d rather it were nothing, which is usually a sign I should keep looking.

Alexandra Stevenson

Human Kind with Alex · Soul and meaning in everyday life

Alex Stevenson is a clinical psychologist registered with the HPCSA and HCPC, working online across South Africa and the UK, and in person in Plettenberg Bay.

Registered with

  • HPCSA (PS0141500)
  • HCPC (PYL047237)
  • BHF (PR0862584)

Alexandra Stevenson
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